Musical Figure

Figure (music)

Figure (music)

A musical effigy is the shortest idea in music, a brusque succession of notes, ofttimes recurring. It may have melodic pitch, harmonic progression and rhythmic (duration). The 1964 Grove'southward Dictionary defines the effigy as "the verbal counterpart of the German 'motiv' and the French 'motif'": it produces a "single complete and distinct impression". To Scruton (1997: 61), however, "A figure is distinguished from a motif in that a figure is background while a motif is foreground: "A figure resembles a moulding in architecture: it is 'open at both ends', so as to be endlessly repeatable. In hearing a phrase as a figure, rather than a motif, we are at the aforementioned time placing it in the background, even if it is...stiff and melodious."

A phrase originally presented or heard every bit a motif may become a effigy which accompanies another tune, such as in the second motility of Claude Debussy's String Quartet. Peradventure it is all-time to view a figure as a motif when it has special importance in a piece.

Minimalist and developmental music may be synthetic entirely from figures. Roger Scruton (1997: 63) describes music by Philip Glass such as Akhnaten as "nothing but figures...countless daisy-chains". A basic effigy is known as a riff in American popular music.

Sources

  • Scruton, Roger (1997). The Aesthetics of Music. Oxford: Clarendon Press. ISBN 0-nineteen-816638-9.
  • Nattiez, Jean-Jacques (1990). Music and Soapbox: Toward a Semiology of Music (Musicologie générale et sémiologue, 1987). Translated by Carolyn Abbate (1990). ISBN 0-691-02714-5.
  • (1964). Grove's Dictionary. cited in Scruton, Roger (1997).

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